Currensy was also selected to XXL magazine's annual 'Freshman Class' list, and released his second album, Jet Files, through Amalgam Digital that same year. This album was entirely produced by Monsta Beatz. 2009вЂ“2010: This Ain't No Mixtape, Jet Files and Pilot Talk Д¬urrensy signed with Amalgam Digital to release his debut album, This Ain't No Mixtape, in 2009. In 2008, Currensy released Independence Day, his first project after leaving Young Money and the first of seven mixtapes to be released that year while he struck out as an independent artist. He remained with Young Money until late 2007. In 2007, another mixtape was released entitled Life at 30,000 Feet. He released the song, 'Where da Cash At' as the lead single for his Young Money debut, Music To Fly To, in 2006. While still at Young Money, Currensy created Fly Society with skateboarder Terry Kennedy, first as a clothing company, then expanding to release music.

He was featured in Lil Wayne's 'Grown Man' on Tha Carter II.

He released a mixtape entitled Welcome Back in 2004. He was featured on Lil Wayne's mixtape Dedication 2, The Suffix and several unreleased songs while with Young Money. In 2004, Currensy signed with Cash Money Records and Lil Wayne's Young Money Entertainment. Currensy has several songs with C-Murder, and was featured on the late Soulja Slim's album, Years Later (2002). Even though he was signed with No Limit, he represented C-Murder's TRU label. Currensy appeared on 5 songs in Master P's Good Side, Bad Side album.

The song 'Get Back' by 504 Boyz, produced by Donald XL Robertson, was featured on the 2003 film Malibu's Most Wanted soundtrack. In 2002, Currensy was signed to Master P's No Limit Records and was a late addition to the 504 Boyz. Music career 2002вЂ“2008: No Limit and Young Money

1.5 2014вЂ“present: The Drive In Theatre and Pilot Talk III.

1.4 2012вЂ“2013: The Stoned Immaculate and Live in Concert.

1.3 2010вЂ“2011: Pilot Talk II and Weekend at Burnie's.

1.2 2009вЂ“2010: This Ain't No Mixtape, Jet Files and Pilot Talk.

tour this fall.Д¬oncert footage is top notch the rest is homevideo at its best. Timing of the docuвЂ™s release precedes release of the next John disc, вЂњThe Big Picture,вЂќ and U.S. Pic is the first work from John and FurnishвЂ™s Rocket Pictures, which has 10 projects in development with Disney.

Interviews with mom, his personal assistant, therapist and hairdresser, along with comments and leading questions from Furnish, flesh out this portrait. вЂњTantrumsвЂќ was shot during early 1996, starting with a video shoot for his single вЂњBelieve.вЂќ JohnвЂ™s seen on a promotional tour through Paris and Madrid, in the studio with Lulu. вЂњTiarasвЂќ in the title refers to two headpieces that are part of the traveling wardrobe - they sit atop chests of drawers filled with eyewear inside a closet packed with an extraordinary amount of clothes and shoes. John is shown rolling through a load of contradictory moods - he craves alone time, for example, yet is unable to function without a staff of a half-dozen - driven by compulsions that have manifested themselves differently over the years. Best segment might well be the pre-Oscar build-up, in which Furnish deftly brings the audience through JohnвЂ™s jitters, cattiness, exuberance and sorrow at a brisk pace. ItвЂ™s an indicator of JohnвЂ™s constant desire for privacy, perhaps the strongest thread running through the cinema verite вЂњTiaras & Tantrums.вЂќ Furnish, whom John has given unprecedented access, has crafted an expert document of the musicianвЂ™s private side, at home in England and Atlanta, on vacation in the South of France and behind the scenes on the road.

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